We know from past interviews and the artist's following that the low number of building pieces (known in the milieu as
bloks block) has always been a
unclassifiable variable the artist has had to work with. Sometimes his rage would not be contained by his art and he would lose touch for weeks at a time. The best outcome was his refined
technique, widely copied, of hollow building to suggest massive forms. Here the artist starts on a quest greater than the available material and he is stopped in full momentum by the eternal
no more pieces. Silence follows. Contemplate.
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